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In Sonia Leber and David Chesworth’s Almost Always Everywhere Apparent, exhibition goers become overwhelmed by a sonorous and prison-like super sized structure. Within its walk-through environment, viewer/listeners are subjected to a surround soundtrack of grunts, groans, moans, utterances, cries and choral outbursts, all accumulating in what is indeed a compelling exploration of hierarchical systems and social control. – JD